Liza Monroy

See You (and See Me) at AWP

liza — Wed, 06 Mar 2013 06:58:33 +0000

I have loved and gleaned so much from this conference for the past few years. This year, with The Marriage Act forthcoming and a lot to think about re. what’s next, the changing publishing industry, etc, I’m excited to be a part of the conversation. If you’re heading to AWP in Boston, come check out one of my panels and let’s go to some of the fun social events too.

Thursday, 10:30-11:45am

F147. The Business of Writing.
(Liza Monroy, Avi Steinberg, Kathy
Belden, Leslie T. Sharpe)
Room 206, Level 2
Top literary agent Jennifer Lyons brings
together contributors to The Business of Writing
Conversational in tone, and with a
preface by Oscar Hijuelos, the book is aimed
at both novice and published authors who
want to know the specifics. Our panel brings
its pages alive as we explore its topics—
from contract negotiation to staying the course in a
changing industry. We examine the
collaborative process that resulted in this
unique book, compiling advice from diverse
publishing professionals.

Saturday, 3pm-4:15pm

S224. It’s Complicated: Memoir
Writing in the Political Sphere.
(Liza Monroy, Kassi
Underwood, Nick Flynn, Melissa Febos,
Matthew Parker)
Room 206, Level 2
Writers of political memoirs tell personal
stories that intersect with issues of social
consequence: Abortion. Gay marriage.
Torture. How can we avoid accidentally
writing a polemic? Are we trying to solve a
problem by telling our stories? Can we? We
will explore the unique opportunities and
challenges of this sub-genre, focusing on how
writers can take advantage of the tension that
exists when one person’s experience both
illuminates and subverts its larger political
context.

The Profiler screenplay

liza — Fri, 01 Mar 2013 19:16:20 +0000

Don’t things always come full circle? In college, when I knew I wanted to become a writer, I was double-majoring in film and creative writing, planning to pursue a career in screenwriting (as always, if I could figure out how). When I moved to New York after two years in L.A., though, I landed a job in publishing, and started writing the beginnings of the novel that became Mexican High. I figured I would make my way back to screenwriting eventually, somehow, but that it would probably happen on its own when the time was right.
When Alex Garinger, fellow former intern at City magazine got in touch with me after the Profiler essay came out in the Times, with news that his production company wanted to option the story for a romantic comedy (he and I hadn’t been in touch for about six years!) it was one of those right-thing-at-the-right-time situations. Five All in the Fifth and their article on The Profiler.

Cracking the Love Code: The Profiler and I on KCRW

liza — Wed, 13 Feb 2013 18:30:46 +0000

My mother The Profiler and I were interviewed by Bob Carlson of KCRW’s show UnFictional. KCRW, Southern California’s NPR station, has long been my favorite radio station–I stream it almost daily–so I was really excited when Bob contacted me about doing the Valentine’s Day show. While The Profiler and I spoke with him from the studios of KUSP in Santa Cruz.
Check out the show here! The story is currently being developed into a screenplay and novel!

Columbus Dispatch Q&A

liza — Wed, 23 Jan 2013 19:27:24 +0000

Back when I was in residence in the fall at the Thurber House, the Columbus Dispatch interviewed me about The Marriage Act and other things. Here is the link to the Q&A!

Researching another nonfiction book on marriage.

liza — Wed, 19 Dec 2012 01:49:59 +0000

For my last full workday at the Kimmel Harding Nelson Center for the Arts, I set about researching a future book, tentatively titled 33. (A forthcoming subtitle will explain that.)
The book is, like The Marriage Act, about that age-old institution and the questions and ideas surrounding it. The first book I’m reading is Elizabeth Gilbert’s Committed, which has a similar but different project. Here is a quote from the book that renders the personal universal: “Destiny’s interventions can sometimes be read as invitations for us to address and even surmount our biggest fears.”

Ending the year with good news

liza — Mon, 17 Dec 2012 03:45:10 +0000

I’m so excited to announce my second book! From Publishers Marketplace:
December 14, 2012
Liza Monroy’s THE MARRIAGE ACT, about the author’s years spent wed to her Middle Eastern gay best friend in order to keep him in the United States, while her mother worked for the US Government preventing immigration fraud, to Delia Casa at Skyhorse, for publication in fall 2013, by Jennifer Lyons at the Jennifer Lyons Literary Agency (World except German and Korean).

First Week at KNH

liza — Mon, 10 Dec 2012 05:23:48 +0000

It’s been a good first week here at the Kimmel Harding Nelson Center for the Arts in Nebraska City, a laid-back community filled with natural beauty and small-town charm an hour from Omaha and Lincoln. Productivity comes easily here. It’s quiet and relatively distraction-free, and I’m in the company of some amazing women artists: my apartment-mate Ahn-Thuy, fellow traveler and Californian Erin, Jennifer, and writers Sheba, who left this weekend, and Amanda. We’ve done some fun things together when not holed up in our studios (or cafes, or the Library Lounge), including visiting a local bar (we were the only patrons until a man came in an hour later. “Look! It’s a person!” one of us said), getting to know each others’ work on open studio night, and taking a road trip to Lincoln for First Friday, when galleries are open late. After my week here, Lincoln felt like a big city (Trader Joe’s!). My favorite place in Lincoln was the Mad Men-esque Starlite Lounge.
I’m working away and yet always feel like I need to write more. Hoping a draft of my new novel will be done before I leave here, even if it means burning the midnight oil or skipping one of my favorite places, the local fitness center with its big indoor pool and relaxing hot tub, for a day or two. I’m waiting for some news this coming week and hope to be able to announce something soon.

And next week, Nebraska City

liza — Tue, 27 Nov 2012 23:22:04 +0000

I am going to sorely miss my fiancé, capoeira class, and the new life I’ve started in the lovely beach paradise of Santa Cruz, CA, but I’m very excited to have been awarded a three-week residency by the Kimmel Harding Nelson Center for the Arts.
I just perused the list of December artists and am looking forward to meeting them, plus diving into another bout of that precious “away” uninterrupted writing time. I’m going to return to the Profiler novel and have some other projects that are getting underway.

Just…yes.

liza — Fri, 09 Nov 2012 05:06:17 +0000

“Most [failed writing] that I see, the reason the shit doesn’t work is because there is no play in it. There is nothing in it that we would call the human. There’s no play. There’s too much control. You’ve eliminated the story because instead of listening to what the story is, you put your own wishes and your own dreams on it…There is the story and you’ve kind of got to be open to where the story is going to take you.” –Junot Diaz

Cool news.

liza — Fri, 02 Nov 2012 19:22:09 +0000

It’s a good day for optioning things! Here’s my latest news via Publishers Marketplace
*
November 1, 2012
Film rights
Liza Monroy’s THE PROFILER, a fictional, romantic comedy spin off of a novel-in-progress along a similar storyline as Monroy’s NYT Modern Love column “When Mom Is on the Scent, and Right,” about her mother, a professional profiler, who tries to find the perfect man for Liza via profiling techniques only to have it turned around on her, to Douglas Banker and Alex Garinger of Five All in the Fifth Entertainment, by Michael Cendejas of the Lynn Pleshette Agency in association with Jennifer Lyons of the Jennifer Lyons Literary Agency.
*
November 1, 2012
Television rights
Liza Monroy’s MEXICAN HIGH, pitched in the vein of Gossip Girl set in an elite upper class international school in Mexico City, starring a teenage American protagonist who gains entree into this exciting, glamorous, and often dangerous world when her US diplomat mother is transferred to the Embassy there, to Charlie Matthau at Matthau Media, by Michael Cendejas at The Lynn Pleshette Agency working with Jennifer Lyons at The Jennifer Lyons Agency.